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Showing posts with label Cine News. Show all posts
Showing posts with label Cine News. Show all posts

Protests in Chennai, Bharathiraja unmoved!


The film fraternity has announced that it will hold a protest condemning the killing of the Tamils by the SL army in Sri Lanka. While it was announced by the Directors’ and Producers’ Council that they will hold the protest meet at Rameswaram on October 19th, the Nadigar Sangam President Sarathkumar expressed

Bharathiraja

the inability of many leading stars to participate in it owing to prior commitments.

The issue took a new turn with Sarath announcing that the actors and actresses will observe a fast on November 1st in Chennai. It has been reported that all the leading stars will be present in this fasting. Latest reports state that Rajinikanth and Kamal Haasan will also take part in the initiative.

Meanwhile, Director Bharathiraja, seems to be going ahead with his plans of protest in Rameswaram. When contacted by Behindwoods, he mentioned that there are no changes in his earlier plans of October 19 and around 2000 actors / directors / technicians are participating in the protest in Rameswaram. He also stated that invitations are open for the protest and folks from the film fraternity are welcome to join him in the protests. Further, he also refused to comment on the chennai protests mentioning that he had nothing to say in this regard.

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Silambarasan’s electric bulb risk


Silambaattam starring Silambarasan, Sneha and Sana Khan are getting canned
quickly and recently there was a mammoth set costing around 35 lakhs was erected at Prasad studios where a dream sequence involving Silambarasan and Sana Khan was shot. Interestingly, the blockbuster hit of super star’s Vachikkava unnai



mattum from the film Nallavanukku Nallavan is remixed by Yuvan Shankar Raja and the lead pair was gyrating for this number.

This number was decided to be made in a different way and Silambarasan and Sana were seen dancing with electric bulbs all round their body for six days at a row. The costumes alone which had these electric bulbs with powerful batteries cost the producer five lakhs. Silmbaattam is being directed by Saravanan and produced by Lakshmi Movie Makers. When contacted, the director was all praise about the dedication and commitment of hero Silambarasan and said that despite the difficulties that he faced having to dance with bulbs for day and night for 6 days, Silambarasan never flinched once and gave the director total cooperation.
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Meera Jasmine’s feat


The Sreevidya award, instituted in memory of the late actress Sreevidya, will be conferred upon the noted south Indian actress Meera Jasmine. According to Mr. K.B. Ganesh Kumar, Chairman, MLV Sreevidya Charitable Society, the award will be given every year to the best film personality. This is the first award from Trust and will be given


on October 19th, which happens to be the second death anniversary of the late actress.

Meera has been selected by a jury, which comprised director Siddique, for her superb performance in Orae Kadal.
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Murugadoss’ request to A.R. Rahman for Ghajini


With expectations soaring high over the Hindi version of Ghajini, the news that it would hit the silver screens on December 25th is a treat to all the cine buffs. Ghajini, a blockbuster in Tamil starring Suriya and Asin is being remade in Hindi with Aamir Khan and Asin. Director Murugadoss, who had directed the



Tamil version, is wielding the megaphone for the Bollywood film too.

Music director A.R. Rahman has completed composing all the five songs and is working towards the background score. Meanwhile, Murugadoss has requested Rahman to compose a tune for the trailer. The musician is busy at it now and is expected to complete it soon. The trailer will be ready in two weeks time, adds our source.
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Why should Trisha & Nayantara get slapped?


Vijay slaps Trisha in Gillie, Dhanush slaps Nayantara in Yaaradi Nee Mohini, Vikram slaps Trisha in Bheema, Simbu slaps back Reema Sen in Vallavan, Rajini slaps back Vijayashanthi in Mannan, and Bharat slaps Kushboo (playing his sister) in Pazhani. These slapping scenes come to mind right away, but there are several more instances (with other stars as well) that you must have noticed yourself. In Bheema the reason Vikram slaps the character Trisha plays is because she is so annoying. She irritates him and pesters him until he loses his temper, and slaps her. But why make her character such a pest? Why have a scene where she provokes Bheema to the point where he is forced to slap her?

The script (and the director of the film) will make it out to seem that these women are asking for it, and that the men are doing it for the good of all these wayward women ('these poor women don't know what is right and wrong, we have to show them'); another answer from the directors will be: 'the situation in the story warranted it’. But is it really

required in any situation? Why write that into the script, in the first place? The men in our movies- even heroes- routinely slap women. Heroes slap heroines, fathers slap daughters, brothers slap sisters, uncles slap nieces, husbands slap wives. And if a female character slaps a male character, she will be slapped back twice because she dared.

Just once I'd like to see a movie where a woman slaps a man and she is not slapped back. Oh wait, it actually does happen quite often –when a mother slaps her son. This age old mother-son sentiment alone is permitted. But seriously, it would be so cool if even one of our heroes insists that he does a scene where the heroine slaps him and he doesn't slap back. What pleasure is the audience supposed to derive from watching women being slapped around? The more educated in the audience might understand that it is just a movie, and that the hero is playing a character, but the masses, especially some men, might think it is the right way to treat women because the hero does so.

It's a pity that our educated heroes also don't object to this in the script. I'm all for item songs, and I enjoy a song loaded with sexuality as much as the next man. But we will earn the privilege of indulging in them only if the rest of the film treats the heroine, the item girl and the rest of the women characters with sensitivity, fairness, un-condescension, respect and love. The other day I was watching Vallavan again on DVD and was pleasantly surprised to see Simbu apologize to Reema Sen: "Whatever the provocation was, it was wrong for me- a male- to slap you" he says. This is at least a first step. And then, in an even more surprising scene, he allows Reema to slap him back twice. Earlier, he says that now famous dialogue about not threatening girls into falling for you, but wooing them through a deep friendship.

The undercurrent of violence towards women that runs through many Tamil movies is disturbing. Women as villains, women being shouted at, women being humiliated and teased through insinuating dialogue, and women as sex toys. The women in the audience patiently bear it, but I'm not sure why the heroines stand for it. I guess if they objected, they might not even get to be the heroine after that. Apart from all the slapping around that goes on, there are all those regressive patriarchal values embedded in our stories. Many Tamil movies portray brutal patriarchy masked as old fashioned values. Jyothsna Bhavanishankar, a colleague, remarks, “As a woman, it is very demeaning to watch another woman being slapped. But I am also sure that women being women will carry themselves with dignity in whatever they do.”

And why do we men need our heroes to be so macho all the time? Most of us really don't, but that's how these heroes have been conceived for the longest time, and there's nothing we can do but stomach it. Every time these heroes feel obliged to trash six guys with chains and knives, we are all put in a position where we'll have to do the same if we were ever to run into such bad weather. Ideally, I'd like to negotiate with them, and if that doesn't work… run – but since our heroes make it seem like fun to trash them all….

A six pack is a good thing (at last our women have some eye candy, too) but it doesn't- or shouldn't –signal violence. It should suggest someone who is proud of his body, who takes care of it, who likes to be fit, and wants to look as good as he can. And while we are talking of bodies, it would be nice if Tamil cinema stops being coy about intimacy (it makes a family watching a 'scene' at home on television squirm with embarrassment) and becomes more honest about sex. Let's have less innuendo, less sleaze, and more honest, hard-won emotion.

Tamil cinema is finally full of edge, freshness, surprise and cinematic promise. There's just one thing that still makes it backward: the presence –both subtle and obvious –of the kind of extreme machismo I have been describing. We can only hope that as Kollywood cinema changes, it will also make deep changes in its attitude to women, and leave behind its regressive, conservative, obnoxious politics and become a cinema that –not just us - but the world can admire
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Rameswaram is the scene of action


After expressing their solidarity in the Cauvery issue and later on in the Hogennakal matter, Tamil film industry is now geared up to voice their opinion on the problems faced by the Sri Lankan Tamils. Rama Narayanan, President of Tamil film Producer's Council announced that there will be a demonstration on the 19th of October at Rameswaram

Kollywood Protest

and invited every member of the Tamil film fraternity to take part in this protest against the Sri Lankan government. He also said that all film shootings from 18th to 20th of October stands cancelled.

At this juncture, there was an emergency meeting convened by Sarath Kumar, President of Nadigar Sangam involving actors and actresses. It was decided at the meeting that Nadigar Sangam will wholeheartedly support the cause of Sri Lankan Tamils but they would be able to participate in this demonstration if it was held in Chennai.

Reacting to this, Rama Narayanan said that there is a special train arranged for around 1000 people, which would leave Chennai on October 18th night and reach Rameswaram on the 19th morning. After the meeting and demonstration ends on the 19th, the special train would leave Rameswaram on 19th evening and reach Chennai on the 20th.
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Aishwarya Rai's indiscretion…


Aishwarya Rai Bachchan's indiscretion nearly a decade ago seems to haunt her now. The former Miss World is in the income tax net for claiming to be an NRI in 1996 and hence evaded paying tax on her beauty pageant fee.

When the taxmen raided her home in the year 2000, it was found that she

Aishwarya Rai Gallery

stayed abroad only for 92 days and not 186 days as claimed by her in 1996. The tax authorities ordered an income tax of Rs. 14 lakhs along with an interest, which would amount to Rs. 50 lakhs. Ash duly contested against this order and got a partial relief. She also a filed a suit claiming that the income tax department has no rights to recalculate her earnings. In 2007, the Income Tax Tribunal ordered the case in favor of Aiswarya Rai Bachchan. The IT Department has now filed an appeal at the Mumbai High Court against this order.

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Aegan and Vaaranam Aayiram – Status report


Ayngaran International, the producer of Aegan is planning a big release for their film. Plans are afoot to release the film in about 150 theatres worldwide. According to the film's US distributors Bharat Creations, 12 prints will be screened in the US. It may be noted that Billa was screened in only six screens. Ayngaran International, which is



marketing the film in a big way, declared that the film will be released on October 24th.

Aegan stars Ajith and Nayanthara, and its music by Yuvan Shankar Raja has already proved to be a chartbuster. The film is directed by choreographer-turned-director Raju Sundaram.

Meanwhile, the Gautham Menon directed venture Vaaranam Aayiram that stars Surya is expected to be released a day prior to Aegan (October 23rd 2008). However, there are a few loose strings that need to be tied up before its release. Sources in Kollywood say that Gemini Films has procured the Tamil Nadu rights of VA from Oscar Films and have priced it really high. The distributors, for this reason, are skeptical in purchasing the film. If this issue is solved, then VA, in all probability, could be released on October 23rd.
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Simran reminisces Kamal


Looks like Simran will have a dream sequence with Bharath for Seval. Ahem! But not like the good old ones where she used to put her dancing skills to test. She will dance to the tune of the famous hit song from the seventies 'Adisaya Raagam' with Bharath. The song is said to appear only for a few minutes in the movie, however.

Seval


According to the story, Simran plays Poonam's sister who is being wooed by Bharath. Simi, however, misinterprets Bharath's courtship and breaks into a romantic dance sequence inspired by the Kamal – Srividhya number from the movie Apoorva Raagangal.
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A.R.Rahman isn't a good judge of scripts


I was in the midst of a discussion between two friends talking about Rahman and Yuvan, and this made me to think of one contrasting difference between these composers. When you look at A R Rahman’s career graph, you can’t help noticing that most of his flop movies (not flop songs) are with new directors that he makes music for


-recent example, Kala Prabhu’s Sakkarakatti. A sample list of other moderate to flop movies would be: Pudiya Mugam, May Madham, Enakku 20 Unakku 18, Sillunu Oru Kadhal, Udhaya, Parasuram, ATM, and Ratchagan. You will notice that 90 percent of his hit movies are with well established directors or are backed up by strong personalities, such as Aamir Khan for his nephew in Jaane Tu.

This is a sharp contrast to someone like Yuvan who is more successful with new comers. And his father, Ilayaraja, has an unprecedented record of hit movies with new comers. The irony is that Rahman's judgment in scripts is not that great; he can connect with his music but I don’t think he has the ability to judge what scripts will work and what will not. If Mani Ratnam, Aamir Khan, and Shankar move on at this point to new music directors, it will at least give Rahman a new bandwidth of newcomers to experiment with.

I am not disputing that Rahman has set a benchmark in the industry. However, I would prefer that Rahman try and experiment with more new comers and hone his instinct to connect with new scripts instead of circling back to those five top directors all the time.
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Kuselan returns to haunt Rajini


The theatre owners in Madurai are an agitated lot these days, as the compensation package announced by Rajinikanth, producers Kavithalaya and Pyramid Saimira did not reach them as promised. Speaking to the media about this, Annamalai said the distributors in Madurai, Ramanathapuram, Nellai, Kanyakumari and Salem did not get



the amount so far, while those including Coimbatore, Chengalpet, South and North Arcot have been paid. He added that there was no proper response either from Rajinikanth or Kavithalaya.

According to Annamalai, the affected theatre owners are planning an agitation to stress their demands. Meanwhile, sources close to Rajini and Kavithalaya insist that the payments will be made by Pyramid Saimira and they are awaiting the release of the settlement amount from them.
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Vijay, 51 and Rathnam


Ilaya Thalapathy Vijay is busy shooting for Villu that is directed by Prabhu Deva. After he completes this flick of Prabhu Deva, he will move over to A V M films for a project. This will be his 49th film. Further on, Vijay has plans to do his 50th film for his father S A Chandrashekar for V V creations.



It has been said in Kollywood circles that eminent producer A M Rathnam is keen to rope in Vijay for his next venture which will be Vijay's 51st film. Vijay - Rathnam combination has had blockbuster hits like Kushi and Gilli in the past and trade circles believe that Vijay also will be eager to work with Rathnam once again. Reliable sources say that Rathnam is listening to many scripts and is in the process of choosing the best that would suit Vijay.
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What did Anoushka charge for Billa?


Anoushka who made waves with her sensuous number Mobila in Rendu with Madhavan shifted base from Kollywood to Tollywood. Her career in Andhra is said to be very satisfactory and now the girl will once again be seen on Tamil screen with Paruthi Veeran Karthi under Suraaj's direction with studio green producing the film.



As this 'yet to be titled' film is a remake of Vikramarkudu from Telugu, Anoushka who starred in the original as heroine is being roped in Tamil too. Industry grapevine reveals that Anoushka who is doing the role of Nayanthara in the Telugu version of Billa has charged a jaw dropping sum to wear a double piece swim suit in that film.


Anoushka Gallery
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